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Sign Up. Log In. All Artists From the Studio. Past Auctions Consignments. Geoff Hargadon Cash for Your Warhol. Geoff Hargadon. You are following. View Work to Scale. Save to Wish List. About Geoff Hargadon Geoff Hargadon, a street artist and photographer from Somerville, has exhibited regularly in Boston and New York in the last few years. Courtesy of Jealous Gallery. As new condition. Ships in 1 to 5 business days from United Kingdom. This work is final sale and not eligible for return.
Subscribe to our newsletter now and be the first to know about our exclusive product releases. Cash For Your Warhol. To follow Cash For Your Warhol you must be a member. Already a member? Log In. Cash For Your Warhol is an art project created by Geoff Hargadon, created in the midst of the most recent financial crisis.
The work has since been developed in various media, including Coroplast, plaques, screenprints, stickers, audio, billboards, and photography. Recently Added 12 Per Page. Run of 4. Run of About Cash For Your Warhol. Artworks Artists Collections. Fine Art Prints. Original Art. Sold Out.
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When they hear the voice on the answering machine they hang up. Pedro Alonzo: Have you had legitimate offers? People send pictures, certificates of authenticity, proof of purchase, close-ups of the signature, etc. Pedro Alonzo: Is your intention to start a dialogue? Being here is kind of a performance. This is supposed to be an art project or something. Geoff Hargadon: This project is a parody of the enterprises that are financial predators.
They prey on people who get into difficult situations and are forced to sell their house to somebody who put a phone number on a telephone pole. Pedro Alonzo: Are there any influences? That was pretty epic. They are good examples. In many cases, pop-ups are about selling prints. What has been the pleasure of doing this? Geoff Hargadon : The pleasure has come from a number of different sources.
Friends and artists have been dropping by. Several artists have come to trade art works. Which is really great, I love to trade. That was a little awkward because we have a Western Union sign but we are not set up to send wires. I have also enjoyed the quiet of the store. Sitting in here reading, catching up on emails. Minding my own business, when out of the corner of my eye I see somebody walk by, pause and look completely confused.
They will look at the store for a few seconds and then keep on walking. To me that really indicates the success of the design of the store. Because it looks real enough to possibly be a store were people might buy your Warhol. I have really enjoyed it.
Ben: Sorry to interrupt. I have been a big fan of this. Hargadon: Thanks. I have an Andy Warhol story to tell you. During the intermission of a Johnny Mathis concert I was sent to stand in front of the orchestra with my back to the stage facing the audience.
I noticed he was looking at me and we basically started playing peekaboo. Andy Warhol who would hide behind his program. That was so cool. Hargadon: Really? That is awesome. Hargadon: Do you want to take a sign? Pedro Alonzo: Why did you pick this location? It is important that the pop up take place outside of an arts district.
This needs to be a destination. It would not work if it had been next to a Gallery. It has to be ambiguous. Geoff Hargadon: Did you hear that? That guys was explaining to his girlfriend that this is an art installation. I love that. Hargadon: Hey Man. Keith: I brought a celebratory beverage, a final day thing. Geoff Hargadon: Jesus! Wow, champagne.
Keith: You want to throw some down? Geoff Hargadon: I tried to convince Pedro to have some beer earlier but champagne is actually better. Keith was followed by a rush of more friends, fans and admirers. Some of whom brought beer and wine turning the Cash for Warhol store into an impromptu party.
Once the booze was finished everyone went home and we continued the interview. Pedro Alonzo: Watching today unfold with all of these people coming to see you and experience your store makes me think how insipid just looking at art inside a white box can be. Geoff Hargadon: A museum has many advantages over the store but the advantage here is that people can engage with the store in many different ways.
Pedro Alonzo: It seems that your intention was to encourage gathering, socializing, and an exchange of ideas around your art. Geoff Hargadon: It is an art project that poses as a business but actually has no commercial intent — which is kind of weird when you think of it. I opened this temporary store and whatever happens, happens.
This project is subversive to the art establishment in that it raises the issue of art as commodity. Museums are some of my favorite places in the world, and they play a very valuable role. But I also feel that Street Art plays a very valuable role by working outside of the world. Pedro Alonzo: What does your wife think about all of this?
Pedro Alonzo: My wife just texted me. I gotta get home to dinner. Geoff Hargadon: Yeah, me too. Otherwise, please refrain from re-posting. But you may want to ask a few questions of your own. For six years the foxy Street Artist has been happily perplexing inquisitive and inquiring minds with evolving iterations of the sign he first placed on the lawn of Brandeis University in Waltham, Massachussets at the height of the financial crisis.
It was also the time when the Rose Art Museum at Brandeis was having tremendous financial difficulty and they had announced that they were going to be selling their art collection. He knows his signs are collected directly off the street by all types of people — including a board member of the Warhol Foundation. Once the message catches the eye, certain people also feel compelled to call the number, which he eventually changed and connected to an answering machine.
Sometimes they are simply confused, other times irate, or self aggrandizing. They warn him about vandalism or insult him for a variety of reasons. He has amassed a collection of similar signs himself, and some of their designs are mashed together in a handful of one-of-a-kind pieces in the show as well. BSA: What kind of signs do you collect and how many do you have? Hargo: I have a couple hundred — I only want the ones that are plastic signs that are printed — and only those that have a phone number.
BSA: So even with those narrow parameters, it comes out to be signs. BSA: Do the dancing lessons signs have a silhouette of a couple in a romantic embrace? BSA: So it is good that you are using these different signs to mash together in your own work. Hargo: Yeah I think the last thing the people who made these signs expected was that someone would take this sign deliberately and blend it into one of these works.
Part conceptual, part culture jamming, sociology and anthropology, many iterations of his signage is on display in this brief but tightly packed overview of the entire short career of CFYW — including the special new one in Spanish that features green and red ink referencing the Mexican flag. Each side is slightly different because when you pull the screens the ink is slightly different. Hargo saw the tweet and sent them a sign as a gift — which they promptly put in the front window.
The longer he continues with the CFYW project, the greater the layers of irony and commentary, and the more fulsome is the tribute to the projects namesake Warhol, who became famous by appropriating and elevating the mundane for consideration as art. It can be light and funny, or complex and serious — take your pick. Click HERE for further details. Street Artist Combo says he was beaten for his street art advocating religious tolerance and naturally there has been a series of Je Suis Charlie variants appearing in the streets of Paris since we last checked in with this hot spot on the Street Art scene, so you know that many newly appearing works are charged with socio-political relevance.
In these new images you will also see some fresh ideas from new names as well as long-term players, so those are encouraging signs of a vibrant scene as well. Ah, capitalism, of thee we all sing. Enjoy his account further along in this posting. I would not say it was exactly inviting but somehow I wiggled my way in. This guy named Pedro was in there with a friend, drinking tea. The smell of aerosol was intense, and I quickly concluded my host had never worn a protective mask in his working life.
Pedro probably set up camp to capitalize on the flow of visitors to this concentrated display of street art. He was certainly cordial. I left with a overpriced stencil on a Paris map. Our sincere thanks to Geoff Hargadon for his contributions and for sharing with BSA readers his unique perspective and talent. Here it is! It was a cool day to be a Street Art photographer — but sadly Rojo was camera-less in a case of mistaken identity, if only for a short time.
He also gets to tell people at parties that he spent some time in the holding cell with the two guys whom New York watched tugging down the B-A-N-K-S-Y. Should we include only images that went up under the cover of the night, unsanctioned, uncensored, uncompromised, unsolicited and uncommissioned? Right now there are a growing number of legal pieces going up in cities thanks to a growing fascination with Street Art and artists and it is causing us to reevaluate what the nature of the Street Art scene is, and what it may augur for the future.
You can even say that from a content and speech perspective, a sizeable amount of the new stuff is playing it safe — which detracts from the badass rebel quality once associated with the practice. These works are typically called by their more traditional description — murals. But for the purposes of this roundup we decided to skip the debate and let everybody mix and mingle freely. This is just a year-end rollicking Street Art round-up; A document of the moment that we hope you like.
Ultimately for BSA it has always been about what is fresh and what is celebrating the creative spirit — and what is coming next. Miami was sunny and warm all weekend! Thus we explain the attraction of an annual art circus that swims through the balmy Miami streets and fairs and beaches in early December called Art Basel.
Each year it is better and worse than the year before, depending on who you got to dance with, or how much money you made, or how many walls you painted. And there is still the basic pleasure of hitting up a wall and hanging out with your friends regardless of who sees it or not.
An observer of behavior and communications and anthropological behaviors, Geoff captures some of the art on the walls, sure, but he also is looking at the trappings and the detritus and associated meanings. Boy did you smell the rotting hot winds blowing hard through Brooklyn this week? It does not get more simple than our process! If our offer is accepted, we will either come see the work in person to determine if their are any condition issues, or upon your approval get the work shipped to a safe and secure art broker for us to examine the work.
A shipping company will come pick up, pack, and ship the work all under your name, and send it to a secure location for viewing. Once we have determined their is no damage to the print, we will pay the agreed upon price and you can release the work into our custody. It does not get easier than this! Sell Warhols without ever leaving your home!
No one can help you sell your Warhol fast like Cash For Your Warhol! Sell your print or painting for cash regardless of the size, price, or condition. Cash For Your Warhol is an art project created by Geoff Hargadon, created in the midst of the most recent financial crisis. In it was featured by Société. Geoff Hargadon is interested in both his work as commentary and as a medium. His project 'Cash For Your Warhol' plays on the recession-style.